Showing posts with label The The. Show all posts
Showing posts with label The The. Show all posts
Monday, July 7, 2014
Thursday, March 15, 2012
The The—Moonbug
I've been marinating in Moonbug, the new soundtrack from The The, for several days now. Having not seen the film, I can only review the music on its own terms, which is not ideal since the music was composed primarily to go with images. The movie is a documentary by Nichola Bruce which follows photographer Steve Pyke as he takes portraits of the astronauts who have walked on the moon. NASA footage from the moon missions is also included. Bruce writes in the 76 page book that houses the CD that the movie is "a study of a photographer working" but also "about memory, in different layers...both experienced and imagined."
Not surprisingly, the music is spacey, but not in any cliche style that term may evoke. No noodling theremins here. Things begin with an enjoyable drums and guitar instrumental. Only when the second track starts with a JFK sample do we start floating in space. A guitar line makes a welcome reappearance on the fourth track, which leads into the strongest piece on Moonbug, "Electric Moonlight." Here some eerie, reverbed percussion is at the forefront, giving some much needed weight to the otherwise airy album. Unfortunately, the rest of the album doesn't live up to the strong first third. There is little in the way of structure or percussion from here on out, with lots of minimal, electronic whooshing and floating around filling out the album. Matt Johnson makes excellent soundscapes dating way back to his first forays into music such as on the arresting album Burning Blue Soul and on up to his current soundtrack work on Tony and Moonbug. And the soundscapes of Moonbug are indeed enjoyable while you are listening to them. But they are so weightless that they leave little impression after the fact. Johnson of course had to fit the sounds to serve the images, but from a purely musical standpoint, I wish there was more in the vein of "Electric Moonlight" and less of the unsubstantial sound vapors that make up much of Moonbug.
Still, it is a The The release, so you can expect a rewarding listen, plus Johnson has spared no expense in packaging the disc in a hardback book that features Pyke's astronaut portraits, some stills from the film, and an interesting conversation between Pyke and Johnson.
6.9/10
Not surprisingly, the music is spacey, but not in any cliche style that term may evoke. No noodling theremins here. Things begin with an enjoyable drums and guitar instrumental. Only when the second track starts with a JFK sample do we start floating in space. A guitar line makes a welcome reappearance on the fourth track, which leads into the strongest piece on Moonbug, "Electric Moonlight." Here some eerie, reverbed percussion is at the forefront, giving some much needed weight to the otherwise airy album. Unfortunately, the rest of the album doesn't live up to the strong first third. There is little in the way of structure or percussion from here on out, with lots of minimal, electronic whooshing and floating around filling out the album. Matt Johnson makes excellent soundscapes dating way back to his first forays into music such as on the arresting album Burning Blue Soul and on up to his current soundtrack work on Tony and Moonbug. And the soundscapes of Moonbug are indeed enjoyable while you are listening to them. But they are so weightless that they leave little impression after the fact. Johnson of course had to fit the sounds to serve the images, but from a purely musical standpoint, I wish there was more in the vein of "Electric Moonlight" and less of the unsubstantial sound vapors that make up much of Moonbug.
Still, it is a The The release, so you can expect a rewarding listen, plus Johnson has spared no expense in packaging the disc in a hardback book that features Pyke's astronaut portraits, some stills from the film, and an interesting conversation between Pyke and Johnson.
6.9/10
Moonbug Trailer from moonbug the film on Vimeo.
Thursday, March 1, 2012
New The The: Moonbug Soundtrack
With no advance warning, a new The The album is available for purchase. Following the 2010 release of the Tony soundtrack comes the soundtrack to Moonbug accompanied by an 80 page hardback book/CD case. It is spendy for us Yanks: with international shipping, it comes to $37. But as a The The completist, my order is already in.
Update: You can find my review of the album here.
Update: You can find my review of the album here.
Wednesday, January 25, 2012
Newish The The
Any new activity from Matt Johnson/The The is cause for celebration in these parts, and a rare morsel has dropped from the heavens in the form of a new version of "GIANT," the classic tune from The The's essential 1983 album Soul Mining. (I've been trying and failing to come up with any better album-ending song.) DJ Food released an instrumental cover of "GIANT" in 2009, and now Matt Johnson has added a new vocal take for a version appearing on DJ Food's just released album The Search Engine:
DJ Food - GIANT feat. Matt Johnson
These are the first new vocals from Johnson in a decade. I enjoy the new version muchly. Johnson's vocals at fifty-ish years are surer than they were back in 1983, and DJ Food's backing track adds a cool twist. The haunting chant that closes out the original version is less effectual on Food's version though.
Coinciding with this is a new episode of Radio Cineola, Johnson's online radio broadcasts. The 15 minute show features a different version of "GIANT" by DJ Food, the spaced-out "Lunar Mix." After an interview with DJ Food, and an advertisement to "occupy your mind," listeners are treated to the radically different "Lunar Version" of the 2000 The The song "Shrunken Man." Appropriately, this is also a spacey ambient version.
DJ Food - GIANT feat. Matt Johnson
These are the first new vocals from Johnson in a decade. I enjoy the new version muchly. Johnson's vocals at fifty-ish years are surer than they were back in 1983, and DJ Food's backing track adds a cool twist. The haunting chant that closes out the original version is less effectual on Food's version though.
Coinciding with this is a new episode of Radio Cineola, Johnson's online radio broadcasts. The 15 minute show features a different version of "GIANT" by DJ Food, the spaced-out "Lunar Mix." After an interview with DJ Food, and an advertisement to "occupy your mind," listeners are treated to the radically different "Lunar Version" of the 2000 The The song "Shrunken Man." Appropriately, this is also a spacey ambient version.
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