I've been marinating in Moonbug, the new soundtrack from The The, for several days now. Having not seen the film, I can only review the music on its own terms, which is not ideal since the music was composed primarily to go with images. The movie is a documentary by Nichola Bruce which follows photographer Steve Pyke as he takes portraits of the astronauts who have walked on the moon. NASA footage from the moon missions is also included. Bruce writes in the 76 page book that houses the CD that the movie is "a study of a photographer working" but also "about memory, in different layers...both experienced and imagined."
Not surprisingly, the music is spacey, but not in any cliche style that term may evoke. No noodling theremins here. Things begin with an enjoyable drums and guitar instrumental. Only when the second track starts with a JFK sample do we start floating in space. A guitar line makes a welcome reappearance on the fourth track, which leads into the strongest piece on Moonbug, "Electric Moonlight." Here some eerie, reverbed percussion is at the forefront, giving some much needed weight to the otherwise airy album. Unfortunately, the rest of the album doesn't live up to the strong first third. There is little in the way of structure or percussion from here on out, with lots of minimal, electronic whooshing and floating around filling out the album. Matt Johnson makes excellent soundscapes dating way back to his first forays into music such as on the arresting album Burning Blue Soul and on up to his current soundtrack work on Tony and Moonbug. And the soundscapes of Moonbug are indeed enjoyable while you are listening to them. But they are so weightless that they leave little impression after the fact. Johnson of course had to fit the sounds to serve the images, but from a purely musical standpoint, I wish there was more in the vein of "Electric Moonlight" and less of the unsubstantial sound vapors that make up much of Moonbug.
Still, it is a The The release, so you can expect a rewarding listen, plus Johnson has spared no expense in packaging the disc in a hardback book that features Pyke's astronaut portraits, some stills from the film, and an interesting conversation between Pyke and Johnson.
6.9/10
Not surprisingly, the music is spacey, but not in any cliche style that term may evoke. No noodling theremins here. Things begin with an enjoyable drums and guitar instrumental. Only when the second track starts with a JFK sample do we start floating in space. A guitar line makes a welcome reappearance on the fourth track, which leads into the strongest piece on Moonbug, "Electric Moonlight." Here some eerie, reverbed percussion is at the forefront, giving some much needed weight to the otherwise airy album. Unfortunately, the rest of the album doesn't live up to the strong first third. There is little in the way of structure or percussion from here on out, with lots of minimal, electronic whooshing and floating around filling out the album. Matt Johnson makes excellent soundscapes dating way back to his first forays into music such as on the arresting album Burning Blue Soul and on up to his current soundtrack work on Tony and Moonbug. And the soundscapes of Moonbug are indeed enjoyable while you are listening to them. But they are so weightless that they leave little impression after the fact. Johnson of course had to fit the sounds to serve the images, but from a purely musical standpoint, I wish there was more in the vein of "Electric Moonlight" and less of the unsubstantial sound vapors that make up much of Moonbug.
Still, it is a The The release, so you can expect a rewarding listen, plus Johnson has spared no expense in packaging the disc in a hardback book that features Pyke's astronaut portraits, some stills from the film, and an interesting conversation between Pyke and Johnson.
6.9/10
Moonbug Trailer from moonbug the film on Vimeo.
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